Lewiston

Bates College Chapel / Peter J. Gomes Chapel, Lewiston

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Matt Tonello, Consigli, discusses the restoration of the Bates College Chapel.

The chapel at Bates College is a distinctive example of architectural display on college campuses in the twentieth century. Built in 1913 by Boston-based architectural firm Coolidge and Carlson, the design for the building was inspired by King’s College Chapel at Cambridge University, and reflects the Perpendicular Gothic Style that was prevalent in fifteenth-century England. The construction was financed by Mrs. D. Willis James and was dedicated to the school just before the onset of World War I. Simply called ‘the chapel’ for much of its history, the building was renamed in 2012 in honor of Bates alumnus Peter John Gomes, a prominent preacher and theologian. The chapel has served as Bates College’s multi-faith worship center, along with hosting lectures, concerts, weddings, and community events – making it a valuable and important structure for the institution.

 Despite its architectural significance and prominent place on campus, the chapel deteriorated over the years. This was discovered through three engineering studies spanning a decade that showed evidence of failing, shifting, and bulging granite masonry, and mortar deterioration. Other issues were found as well, including shifting in the cast stone window tracery, which left the stained glass vulnerable to further damage. The slate roof was beginning to fail, and the copper roofs at the chapel’s four towers were leaking. Due to the water intrusion and faulty roof system, there was underlying damage in the timber framing. Restoration was necessary to repair serious structural and aesthetic damage in order to preserve the space. 

The project was executed in two phases, led by Consigli Construction and engineering consulting firm Thornton Tomasetti. The first phase addressed the roofing and flashing that were allowing water intrusion. This required the removal and replacement of the slate roof and the removal of the roofs on the four towers, the replacement of timber framing, the repair of the copper roof, and resetting the roof on the towers. The masonry issues were also addressed during the first phase; cracked and delaminated ashlar stones were replaced with matching granite. Cast stone decorative parapet caps, band stone, and sill stones were all removed before Consigli masons installed exact replicas made with molds created by Northern Design Precast.

In phase two, the team addressed repairs to the chapel windows. Using 3D laser scanning technology, Consigli and Northern Design Precast compressed the timeline to replace the cast stone traceries by scanning the stained glass and cast stone geometry, then converting the 3D point cloud data to a solid digital model, which was exported to a CNC mold cutter, and a replica cast stone element was produced. At the same time the team documented the stained glass for restoration, Consigli masonry restoration crews removed the deteriorated masonry units, prepared the masonry openings, installed the fabricated replacement tracery units, and then reset the stained glass.

 The Peter J. Gomes Chapel restoration was necessary to maintain and preserve a central assembly area on the Bates College campus. The chapel functions as a multi-purpose building, open to all on campus and the community for religious services, as well as private and public events. The preservation of this historic chapel, the most iconic building on the Bates College campus, ensures that this center of campus and town activities will continue to provide for the needs of the Bates and Lewiston communities, both secular and spiritual, in the years to come.

PROJECT PARTICIPANTS

  • Shelby Burgau, Bates College

  • Pam Wichroski, Bates College

  • Nathaniel Berry, Consigli Construction Company Co., Inc.

  • Daniel Deschenes, Consigli Construction Company Co., Inc.

  • Keith Lyford, Consigli Construction Company Co., Inc.

  • Matthew Tonello, Consigli Construction Company Co., Inc.

  • Steven Knowles, Thornton Tomasetti (Becker Structural Engineers)

  • Ethan Rhile, Thornton Tomasetti (Becker Structural Engineers)

  • Jim Nutting, Maine Art Glass

  • Jesse Thompson, Northern Design PreCast

  • Arron Sturgis, Preservation Timber Framing, Inc.

  • Matthew Kendall, Vintage Glass Works

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St. Patrick's Convent / Sophia's Place, Lewiston

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Sophia’s House is a newly opened residential community of healing for women in Lewiston. This remarkable space came about through the restoration of an early twentieth century convent, creating a unique heritage of place which has served women of the area for over a century.

The development of the convent was led by Reverend Thomas Wallace, who  purchased the land for the church, convent, and school that were eventually constructed as the campus of St. Patrick’s Catholic Church (the church is now the Agora Grand Event Center). Commissioned in 1907 to serve as the convent for order of the Congregation of Notre Dame, the primarily brick building was designed in the Colonial Revival style and built in 1913. Although it is not confirmed, the assumed architect of the convent is James Murphy, who designed the church. Murphy was the professional partner and brother-in-law of renowned architect Patrick Keely, the architect of several nearby churches. 

The Sisters lived in the convent and taught at the nearby Wallace School, until the order was called to Montreal in 1967. It was subsequently occupied over the years by several religious communities and used as a priest’s home before falling vacant, save for the occasional squatter, for 10 to 15 years.

At the time of its acquisition by The Center for Wisdom’s Women there were many issues that required attention. Interior and exterior paint was peeling, water damage from a pipe burst had damaged the hardwood floors and parts of the ceiling and wall plaster, and the many windows were either non-functioning or broken. The building contained lead and asbestos that required remediation. There was no insulation. Despite its deteriorated condition, much of historic fabric of the space was intact and the structural bones were solid. Maine Preservation partnered on the project through its-then Field Service Manager Chris Closs and consultant Margaret Gaertner to provide historic tax credit consulting.

When approaching the design for Sophia’s House, preservation of the historic plan and conservation of original resources was of primary concern. An impressive amount was saved, with the exterior load-bearing brick walls, slate roof, wood windows, restored plaster walls, ceilings and hardwood floors remaining in place. Woodwork, doors, and cabinetry were repaired in place, or repurposed within the envelope, and anything not able to be re-used has been kept in storage. While the interior had to be altered slightly to accommodate the five planned apartments, all central hallways, the chapel, dining room, stairwells, and the main kitchen were kept as originally designed. Shared living spaces were placed in the attic so as not to disturb the floor plan. Modern safety requirements were added, including lighting, fire doors, and an exterior accessibility ramp, with a plan to include an external elevator in the future. 

In addition to architectural preservation concerns, this project was focused on eco-friendly action. Sixty percent of waste from the construction was recycled, and environmentally hazardous materials were fully abated. Landscaping is currently underway through a partnership with Maine Audubon. Native, pollinator-friendly, and even edible plant life will be cultivated at the site.

This successful adaptive reuse  project has resulted in the creation of a long-term residential community of healing for women survivors of trafficking, exploitation, incarceration, and addiction. The project was made possible through a broad community effort beginning with St. Mary’s Health System donating the building to the Center for Wisdom’s Women. Historic tax credits assisted with the funding, as did a grant from the Federal Home Loan Bank of Boston and another through AVCOG. Several large personal gifts kicked off a capital campaign which raised the remaining funds needed for the $1.7 million renovation. The City of Lewiston contributed CDBG funds. Operating expenses are supported by both rent income and project-based vouchers through the local housing authority.

Sophia’s House opened in January 2020 and is fulfilling its mission. The preservation of this convent continues to tell the story of a historic structure dedicated to serving as a safe haven for women.

Project Partcipants

  • Sue Kingsland, Exec. Dir. ,The Center for Wisdom's Women

  • Klara Tammany, The Center for Wisdom's Women

  • Carl Lakari, Carl Lakari, Inc.

  • Thomas Platz, Platz Associates

  • Gabrielle Russell, Platz Associates

  • Mike Hebert, Hebert Construction

  • Bill Mclaughlin, Platz Associates

  • Kevin Haley, Brann & Isaacson

  • John Kaminski, Drummond Woodsum

  • Federal Home Loan Bank of Boston

  • Northern New England Housing Investment Fund

  • Norway Savings Bank

  • Chris Closs, Closs Preservation / Maine Preservation

  • Margaret Gaertner, M. Gaertner, Historic Building Consultant / Maine Preservation

  • T.J. Hennen, Novogradac & Company LLP